This is a charming documentary about the first fan club president of The Beatles – Freda Kelly – who started out in a typing pool, sneaking off work to see the band at The Cavern Club, and worked her way in to become the assistant to Beatles manager Brian Epstein.  Kelly provides nothing really new about “the lads” (Paul was always nice, John could be a handful), but her remembrances are touching and frankly, impressive.  She took her job as correspondent for the band very seriously, and while in their employ, authored thousands of responses to fan mail, even going so far as to fire an employee for sending non-Beatle hair to a fan who had requested a strand.  She even used her home address as the fan club address for a time, until her father complained that he couldn’t find his utility bills in the sacks of mail that arrived every day.

Kelly worked faithfully for the group until its demise, and then just moved on with her life.  As the documentarian finds her now, she is a working secretary.  The surviving Beatles and the estates of John and George must have given the filmmakers rights to the music, because Beatles tunes litter the film, and Ringo even gives a video goodbye to Freda during the credits.  I will say, however, there’s a bit of a bad taste at the end.  Freda is presented as a true gem, someone who tended to the band’s needs, kept their confidences, never once traded in on their fame for her own aggrandizement, and even became a companion to many of their parents.  I don’t expect the Beatles to shower attention on all of the “little people” who helped their rise, but Freda seems a cut above, and so . . . what the fu**, Paul!

Rory Kennedy’s Academy Award nominated documentary opens with American Captain Stuart Herrington asking, “The burning question. Who goes and who stays?” When it went bad, Herrington took his South Vietnamese friends out surreptitiously (Americans were not allowed to bring South Vietnamese out without authorization), but the move was not expected nor planned for.  As Herrington explains, as do others, after the Paris Accords, the presumption of most in-country Americans was that peace was at hand, and the Americans would be in South Vietnam for a long time.

This film shows the feel on the ground for the last denizens of Saigon, while adding insight on a geopolitical level. For example, the North Vietnamese took very seriously the threat of Nixon bringing back American air power after execution of the accords – as one interviewee states, the North Vietnamese thought Nixon was a madman – but after Watergate and the “madman’s” self-inflicted wound, they were naturally emboldened. “Overnight, everything changed. Hanoi suddenly saw the road to Saigon as being open.”

With 16 divisions bearing down on Saigon, Herrington recounts how Ambassador Graham Martin wouldn’t countenance plans for evacuation because it was defeatist and he feared a panic (Martin is a tragic figure who lost his only son in combat in Vietnam, and while he is criticized for his intransigence, he also saved hundreds of South Vietnamese by refusing to leave the embassy until more civilians were evacuated).

At the end, there were 6,000 Americans still in country, and Martin held firm even after he returned to the United States to watch President Ford’s $722 million request for an evacuation voted down.  At this juncture, embassy staff began to risk their careers to get South Vietnamese compatriots out in makeshift airlifts to the Philippines, and at the very end, in any other way they could find.  Their stories are harrowing.

There is no political agenda here.  Kennedy’s documentary is about people, not policy, and their stories are engrossing.  One Vietnamese evacuee recalls his father, a pilot in the South Vietnamese, picking his family in a Chinook and heading out to sea (“when I heard the Chinook, I knew my Dad was coming to get me”).  When it couldn’t land on an American vessel, the occupants jumped out to be fished from the water.

Much of the footage is simply jaw-dropping. A scene of a modern World Airways passenger jet taking off with its on-board stairs lowered, hustling panicked South Vietnamese on as it hurtles down the runway, is indelible.  Another is footage of the pick-up points (Americans knew when to go to them; the code was the playing of “White Christmas” on the radio”) as South Vietnamese press the buses for entry to helicopter evacuations, one of the last options available after the North Vietnamese closed down the airport with artillery fire.  Or the American naval vessels that became deposit points for South Vietnamese helicopter pilots, who had flown from their air bases to pick up their families and then headed to sea hoping for the best.  The ships could only accommodate one helicopter at a time, so when one landed, and its passengers disembarked, the crewmen pushed it over the side to make room for the next.

A must see.