The Way of the Gun is one of my favorite smaller, less heralded crime pictures, and this opening scene is a master class in getting your attention while introducing protagonists. I stumbled on it recently and thought I’d re-post or write some reviews on some of my favorite small crime flicks. The criteria necessarily rules out epics like The Godfathers, Goodfellas and Casino, or any of the Hitchcock pictures, as well as anything from Tarantino, whose first two pictures were the gold standard of crime pics. His notoriety, however, makes a recommendation of Reservoir Dogs or Pulp Fiction a waste of typeface. I want to focus on pictures that may have gone unnoticed.
With The Way of the Gun, writer-director Christopher McQuarrie assuredly expended the juice he’d earned writing The Usual Suspects to helm this noir-ish tale of a couple of fuck-ups (Benicio del Toro and Ryan Phillipe) who engineer a kidnapping with slapdash bravado and brutality. They have no idea the forces at play, and the greatest joy in the flick is their dogged aplomb as shit just gets worse and worse. These two losers are decent in the moment, but as exemplified in the movie’s best exchange, not exactly master planners:
Scenes like this one exemplify McQuarrie’s insistence on rejecting the cool in favor of the absurd. But that doesn’t mean he can’t direct an action sequence, and the final shootout is one for the ages. The film is also aided by Joe Kraemer’s moody, understated and anticipatory soundtrack (one of his firsts).
COMING UP FOR CAPSULE REVIEW OR RE-POSTING OF UPDATED REVIEWS
One False Move
Hell or High Water
The Taking of Pelham One Two Three
The Long Good Friday
To Live and Die in LA
Menace II Society
City of Industry
A History of Violence
Kiss Kiss Bang Bang
The Long Goodbye