Imagine a banana split, with 2 pounds of cane sugar dumped on top. Add a generous ladling of chocolate syrup. Drop it all in a bucket of melted cotton candy. Deep fry it in maple butter. Then imagine they could put this concoction on film, and you have Love Actually.
The only thing that recommends this monstrosity is Billy Bob Thornton as an American president who is an uncanny mix of Bill Clinton and George W. Bush. Even this brief treat is spoiled by his counterpart, British PM Hugh Grant, who apparently reverses relations with the U.S. solely because he caught Thornton feeling up his secretary.
It’s all too precious. Avoid the tooth decay and bellyache, even in the judgment altering season that is Christmas.
2015 Update: look, this is a gruesome film, substituting true emotion and pathos with a staggering falsity. If you ever met anyone in your life anywhere near as quaint and darling as any of the characters in this bucket of marshmallow and melted gumdrops, it’s likely they are an enemy of the state infiltrating our ranks for a low purpose. Before you feel your heart swoon and your mouth say “awwwwwwww”, run. Run for your damned life.
Think about how creepy it would be for a person who long-pined for you to show up at your door with cue cards (one of which has semi nude women on it) to reveal his long held love immediately after you have chosen another. Keira Knightley seems to think this is charming, but in point of fact, she should have called the cops. This weirdo is now going to do . . . what, exactly? Go off to Tahiti because mere proximity to his lost love is too much for him to handle? Go to his apartment thinking that his gambit may pay off, that Knightley might think to herself, “Hmmmmmm. He must really love me.” Hang around, quietly watching . . . waiting . . . hoping.
This scene is emblematic of this stupid film because it trades a sentimental ball of goo moment for a larger and more generous gesture.
The dude should have simply left Knightley to her new husband and their life, which would have been stoic and laudable. But nooooooo. Let’s leave this on a narcissistic, creepy note. Married women, think of you, at the door, newly betrothed a few weeks. Your husband’s best friend comes to the door with cue cards and professes his long love for you. Now, remove the gloppy music and the cobblestones and the holiday lights and Love Actually becomes . . . . Play Misty For Me? When he says, “Enough. Enough now,” I sensed menace, that crazy shit was going on in his head. And frankly, had he gone back in the townhouse and killed them all, it still wouldn’t save this vile film, though it would have been an improvement.
Also, how dumb is the husband? The boom box is supposed to be a substitute for carolers, but it is a smooth voice with some harmonists and an orchestra. Bad choice, Keira.
Also, one card says “And at Christmas, you tell the truth.” That’s ludicrous. You no more tell the truth at Christmas than on Easter or Arbor Day. What a putz!
This is all in a line with this dim flick. Boy Prime Minister Hugh Grant probably effs up policy with the U.S. for decades, and for what? Because the amalgamation of W and Bill (Billy Bob Thornton, literally the only good thing about this flick) grabbed his secretary’s bum? Again, big things subordinated to tiny things.
This year, let’s delve into this kid, so precocious, so darling, and just so articulate!
“Do you really want to know . . . even though you won’t be able to do anything to help . . .the truth is, actually, I’m in love?”
Couldn’t you just eat him . . . . . I mean, eat him up.
The only thing that could make this scene better is if a bunch of shady Eastern European thugs showed up, grabbed the kid, attempted to sell him into white slavery, and Neeson had gotten started on the Taken series quite a bit earlier.
Then, this sweetums might know what is indeed worse than “the total agony of being in love.”
Let’s talk about the secretary, Prime Minister Hugh Grant’s love interest. She is referred to as “chubby” by another aide and she herself explains that her boyfriend “said no one’d fancy a girl with thighs the size of tree trunks.”
First, I can’t believe this kind of fat shaming allows for enjoyment of this film by any decent person. My God.
Second, I really don’t give a shit about fat shaming. But the woman is not in the slightest bit fat. It is a ridiculous conceit. It makes absolutely no sense. She is buxom, one of the few enjoyable aspects of this filmic turdpile
So, the film is abusive and retrograde, which I for one will not let stand even at the expense of your enjoyment. Perhaps worse, it doesn’t even know what a fat person looks like. Ridiculous.