In the vein of “awful people who became awful because they suffered childhood trauma” family drama movies, this one is not half bad. That’s mainly due to Adam Scott, who is one of the more versatile and under-appreciated actors working today. Scott plays the damaged, stuck in the hometown older brother who picks up his younger brother and the brother’s girlfriend from college and proceeds to fall in love with the latter. Scott is a depressive, an alternately cruel and then apologetic anti-hero, who maligns the girlfriend as a whore who will hurt his naive little brother. The problem is that she succumbs to his damaged entreaties, thus partially cementing his earlier uncharitable appraisal.
There is the obligatory childhood trauma and the big reveal, and it could all be so pat, except for Scott’s ability to communicate real suffering and writer-director Lee Toland Krieger’s insistence on taking these characters seriously instead of using them as charming archetypes to condescend to the audience. More to the credit, there is no wrap-up or deeper understanding. It starts messy and ends up hopeful but still messy, which is commendable.
There are problems. The hometown is overpopulated by distinctive characters, the father (J.K. Simmons) is too seminal to be so underdeveloped and the hipster soundtrack is now so obligatory it borders on self-parody. Still, a worthwhile watch on a rainy Saturday. Thanks, Xmastime.