My first thought for a first sentence of this review was “I don’t get it.” But that was at about 1/4 of the way through this sparse (budget – $100,000) and ingenious film that unfolds at its own languorous pace, with every scene building upon the last.
The story is simple. Casey Affleck and Rooney Mara are a young couple on the verge of a move from their home when Affleck dies in a tragic traffic accident. Rather than ascend to the hereafter, his ghost returns to the home. And that is where we find him. For all ages. Mind you, he is not in a CGI, wispy and elegiac form. He is wearing a sheet with two holes cut out for eyes. And his rambler (not a creepy Victorian) is the place he haunts, throughout eternity.
The film is at first uncomfortable. It’s hard to adjust to the low-tech representation of ghostdom, and writer director David Lowery’s penchant for lassitude tests, but soon, through the patience of the director and the stoic and sad nature of Affleck’s choice, you invest totally in his journey.
This is an art film. As such, it takes chances other movies would not dream of. Not all of its choices hit the mark, but by the end, it proves to be thoughtful, accomplished, and really intriguing.
I am stil not sure that I get it. But have been thinking and talking about it ever since watching. That alone merits high marks.