Beautifully acted and well-executed, it is nice to see “little” films like this make a big splash for awards season, but CODA‘s inclusion also points up the dilution of the value of a best picture nomination. When you can have 10 nominees, you not only get crap (Don’t Look Up) but perfectly good films that are not extraordinary (Belfast, King Richard and this).
A high school girl (Amelia Jones) who wants to sing is hemmed in by her situation; she is the only speaking member of an all deaf family and she’s also forced to be their interpreter, diplomat, business manager, and even inspiration. She suffers the indignity of peer mocking, familial over-reliance, and shyness, all the while guided and supported by her music teacher, who sees something in her . . . something special.
So, there’s nothing new here. But what is delivered, however familiar, is heartfelt, never overwrought (Jones infuses an attractive resignation and world-weariness into her character), and only occasionally cloying. The picture’s major misstep lies with the hip deaf parents – Troy Kotsur and Marlee Matlin – who are sometimes crudely overdrawn. For example, they flaunt their sexuality even as their poor daughter is enlisted to interpret their doctor’s advice that they refrain from coitus (because of jock itch), and their “birds and bees” discussion with her in front of a high school crush is excruciating in its falsity and manipulation of the audience. These are cringeworthy scenes meant to point up Jones’s burden, but they are also cartoonish and cheap.
That aside, the film is stirring and heartwarming and ultimately, it delivers. Have a hankie nearby, especially when Kotsur asks to “hear” his daughter sing.
Another feather in its cap – Jones does her own singing, is British but plays American, and learned sign language for the role.
Streaming on Apple TV.