From Lauren Greenfield, the writer/director of The Queen of Versailles, this documentary tries to be both an anthropological study and photo-journalistic essay of wealth. We are introduced to rich people in LA who get cosmetic surgery for their dogs, rappers in Atlanta who litter strip clubs with currency, porn stars who hope to emulate Kim Kardashian, escorts and limo company execs who sell the veneer of being rich for an evening or an assignation, and a whole host of ostentatious sellers and buyers.
The stories aren’t necessarily new. Excess is a strong component of who we are and coupled with the desire to judge, the sneering at folks who are the most brazen and gosh while we engage in miniaturized versions of their sins is damn near a national past time.
The director’s own revelation of being a small part of it, a gawky teen at a tony LA high school dropped off a block from school so her peers wouldn’t see the car her father drove (and he’s a doctor!), suggests we should trust her as a narrator. But Greenfield can’t hold a line. She eventually muddles the message, at one point, confusing excess with being a workaholic, a cheap and errant way to shoehorn her own story into the feature. It’s a bad fit, and her interrogation of her ambitious mother and bright son in the service of the subject is off-putting.
Still, the film eventually crashes when it morphs from a broad review of wealth culture to wild individual stories followed by a “where are they now?” coda that feels every bit as exploitative as the society the director is attempting to depict.
The documentary is also peppered by lofty, laughable socio-political commentary from Chris Hedges, a dummy extraordinaire whose platitudes are in stark contrast to the film’s more understated tenor. The picture is best in presentation, not catechism.
Hedges, however, does scratch an itch: “It’s kind of like the end of Rome . . . Societies accrue their greatest wealth at the time of their death.”
We shall see! On Amazon.