The Big Sick – 5 stars
A charming, surprisingly thoughtful film, anchored by co- writer Kumail Nanjiani’s (Silicon Valley) substantial performance and deft support by Holly Hunter and Ray Romano. Nanjiani is a stand-up comic (a staple in a Judd Apatow produced film) and Uber driver who falls for student Zoe Kazan, a gentle heckler at one of his shows. The hitch is his family and his cultural background – he is a Muslim from Pakistan and while he is decidedly “American” in most respects, his parents will not countenance his marrying a non-Muslim and per custom, are in the process of arranging his nuptials. To that end, he is enlisted for ritual family dinners with prospective suitable brides, none of whom do it for him. But he is both dishonest and weak, keeping his cultural constraints secret from Kazan while feigning devotion to his parents even as he blows off prayers and tantalizes them with the possibility of law school. When Kazan confronts him, he wilts and does not choose her.
And then she gets sick. So sick, she is placed in a medically-induced coma, necessitating his attention, not only towards her but her parents (Hunter and Romano). The experience forces him to reevaluate his station, his choices and his own cowardice.
This could have been played mainly for laughs and it would have worked very well. And the film is very funny, Nanjiani has an understated humor, at once self-deprecating and subtle. Some of the best moments are when he makes a joke to people who are a little slow on the uptake, only to immediately apologize at the moment the jest dawns on them. Nanjiani is, naturally, surrounded by comedians who relentlessly attack each other, also providing solid humor.
But what elevates the film is Nanjiani’s impressive expression in dealing not only with the culture tug of his family, but with the depth of emotion at the near-death of who he comes to realize is the woman he loves. And in his support for her parents (Hunter and Romano), from whom he gets both caution and encouragement, he grows. The movie works on multiple levels, you invest in these people, and the result is a really tight, funny, bittersweet picture.
It has been an atrocious year for films, but this would stand out in a solid one.