It’s hard to decide on what was more enjoyable about Deadpool. There’s the ingenious flash-forward, flashback in story, which keeps the action fresh. There is also an intelligent self-referential trick; as Deadpool (Ryan Reynolds) is dragged to the estate of the X-Men, he asks “ “So, McAvoy or Stewart?”. The back-and-forth between Reynolds – our hero, though he insists he is not – and the other characters is sharp and profane. The utter lack of seriousness, save for a very few poignant moments that are immediately deflated by the screenwriting equivalent of fart noises – is also a joy (indeed, Reynolds actually farts as he walks by his roommate, who, unbelievably, is a geriatric blind woman). There’s the 106 minute running time, juxtaposed nicely with the bloated, Shoah-like length of the interminable Avenger movies, which keeps things humming.
But I guess my favorite part is when Reynolds meets his love interest (Morena Baccarin) and we are educated as to the depth of their ardor via a montage of their incredibly kinky sex life, which incorporates days of commemoration. The image of Reynolds bound and on all fours as Baccarin prepares to “celebrate” International Women’s Day with him is hilarious, made more so by the image of parents quickly hustling their children out of a theater they lazily thought was showing children’s fare