I re-watched and reviewed Apocalypse Now a few weeks ago and followed it up with the documentary of its making, Hearts of Darkness: A Filmmaker’s Apocalypse. Directed by Francis Ford Coppola’s wife Eleanor and two others, the documentary intersperses Eleanor’s “home movies” of the extended shoot in the Philippines with participant interviews and actual film footage. The result is a gripping, informational remembrance from start to finish. The story is incredible. Coppola put up his own money against the profits and endured a host of calamities: a change in lead actor (Coppola brought in Martin Sheen to replace Harvey Keitel after reviewing a few weeks of footage); a typhoon that destroyed many of his sets; a Philippine air force (standing in for American Vietnam-era air cavalry) whose helicopters would often have to leave in the middle of his shoots to fight rebels; Sheen’s heart attack, which delayed filming further; and finally, the bewildered behemoth that is Marlon Brando, who came to the shoot fat, unprepared, and mercurial, insisting on spending days talking about character motivation rather than shooting scenes. On this last fiasco, Coppola realized Brando had not read the book Heart of Darkness as instructed nor was he in any shape to adhere to the script, Unfortunately, Coppola had given $1 million to Brando to show up, and it was non-refundable. In a particularly tragicomic part of the documentary, Coppola explains that he made a decision to have Brando just walk around and improvise during his time on set, and some of the rushes are painfully funny, as Coppola tries to prompt some sort of usable dialogue from Brando, and Brando rejoins with pomposity and ultimately, a certain “can I just cash my check and get out of here?” weariness.
This is just one of many brilliant nuggets exploring the process of filming this audacious movie.