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Monthly Archives: February 2012

True Grit is really near-flawless, hewing very closely to the structure of the prior film.  Some folks may feel that John Wayne’s larger-than-life persona is a bit of a blot in the original, but I always liked his performance, as well as that of a novice actor, Glen Campbell.  For those folks, this film is an upgrade – Jeff Bridges and Matt Damon deliver deft performances that don’t suck the air out of a scene or distract.  This version also replaces many of the laughs for the “grit,” though, thankfully, it is not a dour, bloody replacement (the scenes of the 14 year old Mattie Ross negotiating her father’s affairs are very funny, as is the cross-examination of Rooster Cogburn).  It is also beautifully shot by the Coen brothers.

Finally, I always found Kim Darby annoyingly showy in the original, even though the film was good enough to minimize her excess.  A newcomer (Haley Stanfield) plays her role in the re-make, and she’s just the right mix of earnest, savvy and bitchy, a perfect companion for Bridges and Damon as they search for her father’s killer (Josh Brolin, who has a mere two scenes and almost steals the film).

The Other Guys - Wikipedia

Will Ferrell’s antics have a shelf life.  There were a few good gags, but Mark Wahlberg steps on a lot of them with his clod-like turn as straight man (he substitutes volume for timing). But we do get a political tract on Ponzi schemes from director Adam McKay during the credits, so, there’s that.

Red Riding Trilogy (1974 1980 1983) : Movies & TV - Amazon.com

A British television production released theatrically in the U.S., the story is set against a backdrop of serial murders in the north of England, including the Yorkshire Ripper case. The investigation is covered in three installments: 1974, 1980 and 1983. Though the murders are the central focus, this is really a rich and gritty story about police corruption and the strain of the cases on the police and the community. I liken it to David Fincher’s masterpiece Zodiac. Brilliant.

Amazon.com: Greenberg: Ben Stiller, Rhys Ifans, Greta Gerwig, Noah  Baumbach: Movies & TV

Cyrus (2010 film) - Wikipedia

Similar films about dysfunctional and barely interesting people.  In Cyrus, poor John C. Reilly has the good fortune to start dating Marisa Tomei.  Unfortunately, Jonah Hill (Cyrus) is Tomei’s babied adult boy and what ensues is a muted power struggle played a little too seriously when there were more laughs to be had.

Greenberg is another filmic form of torture from Noah Baumbach, who has made quite a career of making movies about unpleasant, self-centered wretches (Jeff Daniels and Laura Linney in The Squid and the Whale; Nicole Kidman in Margot at the Wedding).  The sad center of Greenberg is Ben Stiller, a just-out-of-the asylum condescending dick who is house-sitting for his brother in L.A. Thankfully, unlike the prior films, Baumbach doesn’t put children front and center for the abuse he finds so illuminating.

To give credit where it is due, both Hill and Stiller do well with their appointed tasks, which is to squeeze a little humanity out of such creepy, crappy characters.  And while Cyrus ends up unconvincingly sweet, Greenberg is coyly ambivalent.

But really, do we care whether an ass like Stiller may find love at the end of the day?

We do not.

Image result for Hot Tub Time

A bro-mance that is actually a menage-a-trois.  John Cusack, Craig Robinson and Rob Corddry go back to the ski lodge of their youth, are transported to 1986, and proceed to do unfunny and boring stuff (often involving their bodily fluids) in the hopes of getting back to the future.  Cusack looks like a hostage.