
Did you know Eddie Murphy was funny? That he always knew he would be a star? That he inspired many a black comic? That he was angry at SNL when David Spade took a dig at him?
If so, you’re good to go.
If you insist on watching this tepid Netflix documentary, prepare for what seems to be a retrospective about a funny man that inexplicably does not show him being all that funny.
There is no delving into his craft, no in-depth discussion of how he matured in stand-up or established himself in films.
There are no great stories of Hollywood.
There is, really, very little insight at all.
Rather, Murphy is presented as a pleasant, sensible fellow, a bit of a homebody, guarded but practiced in the art of bland recollection.
It is all very boring, and made more so by the likes of Arsenio Hall, Michael Che’, Dave Chappelle, Kevin Hart, Jerry Seinfeld, Pete Davidson, Jamie Foxx, Chris Rock, and others basically blowing so much elegiac smoke up Murphy’s ass that he seems more demigod than man. Which is weird when you see his oeuvre laid out, and his sermon on the mount is playing so many characters in The Nutty Professor who can fart.
Look, I love Eddie Murphy. When I saw 48 Hours, I was blown away by his presence and the interplay with Nick Nolte, a buddy cop flick with real comedic teeth in the articulation of racial tension. I also thought Murphy was overlooked in Dreamgirls, though I was pleased to see his Best Supporting Actor nomination and was dying to hear him explain how he evoked a true falling star, and one with substance abuse issues, given his own clean living. As for his unheralded classic, Bowfinger, all we get is how it was nice for him to walk to lunch with Steve Martin.
The endeavor is generic, Commissar-approved dreck through and through. Though I give it 1 star for a few clips of Eddie’s hilarious, now deceased brother, Charlie.


